The Spokesman, which is the journal of the Bertrand Russell Peace Foundation and which has published a number of Trevor’s other plays, is available from www.spokesmanbooks.com.

The following are extracts from the editorial note that will preface the text of March Time, written by Tony Simpson, editor of The Spokesman.

“Trevor Griffiths is a friend and comrade of the Russell Foundation of many years, going back to the 1960s and visits to London’s Red Café.  In 1978 he served on the jury of the Third Russell Tribunal, which examined Berufsverbote, or bans on employment in the public service on political grounds and related aspects of human rights in what was then West Germany.  Ten years ago, in 2002, he travelled to Cordoba in Spain to participate in a dialogue on peace and human rights which brought together activists from the region and more widely.  The threat of coming war in Iraq hung over the assembly, which argued strongly and cogently for a “Middle East zone free of weapons of mass destruction, nuclear, chemical and biological.”

All the time, Griffiths was writing, adding to a distinguished and substantial body of work for the theatre, film and television.  In 1982, Spokesman published Sons and Lovers, his sparkling screenplay for the BBC’s memorable adaptation of Lawrence’s coalfield novel.  Twenty years on, in 2002, prior to Cordoba, we commenced publishing in The Spokesman an occasional series of Griffiths’s texts.  The first was Camel Station, a short play with a very good joke, set in Iraq’s Northern No-Fly Zone (Spokesman 75).

In 2005, at Ken Coates’s instigation, Spokesman published Griffiths’s full-length screenplay about Thomas Paine, These Are The Times.  Kurt Vonnegut loved it so much he declared that he wished he had written it, and requested dozens of copies to send to friends in Hollywood, some of whom did indeed promise to try to get the film made.  Subsequently the work was adapted for the stage, under the title A New World, and premiered at The Globe in London to wide acclaim in 2009.

Michael Billington, The Guardian’s erstwhile and humane theatre critic, remarked that “Trevor Griffiths is the godfather of British political theatre” and rightly described him as “our foremost socialist dramatist”. Billington went on to urge a new production of Occupations, Griffiths’s first full-length play for the stage about factory occupations in northern Italy in 1920, which received its first production at the Stables Theatre in Manchester in 1970.  Now that would be a timely revival.

Now, we are pleased to fulfil a longstanding commitment made by Ken Coates to Trevor Griffiths that The Spokesman would publish March Time, his screenplay homage to the Labour Movement down the ages.  Originally written in 1987, in the midst of Thatcherism, and revised in 1994 as Tony Blair stole the Labour Party, March Time has been revised again for publication here.  As neo-liberal destruction of public provision reaches deep into education and the health service, and ‘austerity’ is seen to be not for the rich but only for the rest of us, it couldn’t be more fitting.”

Tony Simpson

]]> http://www.trevorgriffiths.co.uk/site/2012/10/07/march-time/feed/ http://www.trevorgriffiths.co.uk/site/2012/03/13/coming-soon-to-the-finborough/ http://www.trevorgriffiths.co.uk/site/2012/03/13/coming-soon-to-the-finborough/#comments Tue, 13 Mar 2012 13:56:21 +0000 admin http://www.trevorgriffiths.co.uk/site/?p=1029 Opening on Sunday April 29th, a double bill comprising a stage adaptation of Trevor Griffiths’ 1974 television play All Good Men, plus his one-act two-hander Thermidor.  These plays, directed by Rania Jumaily, will have a short run at the Finborough Theatre in London in April-May 2012.  Full details and to book: www.finboroughtheatre.co.uk.

Also now available from networkdvd.net: the first series of Adam Smith, written by Trevor Griffiths and starring Andrew Keir and Tom Conti, and first shown on Granada TV in 1972.

Double-click on images to see them full size.

Titles are in alphabetical order.

Photos have been credited wherever possible, but please let us know if you can correct any omissions.