March Time, an original television screenplay written between 1987 and 1994, was published in the November 2012 edition of The Spokesman.
The Spokesman, which is the journal of the Bertrand Russell Peace Foundation and which has published a number of Trevor’s other plays, is available from www.spokesmanbooks.com.
The following are extracts from the editorial note that will preface the text of March Time, written by Tony Simpson, editor of The Spokesman.
“Trevor Griffiths is a friend and comrade of the Russell Foundation of many years, going back to the 1960s and visits to London’s Red Café. In 1978 he served on the jury of the Third Russell Tribunal, which examined Berufsverbote, or bans on employment in the public service on political grounds and related aspects of human rights in what was then West Germany. Ten years ago, in 2002, he travelled to Cordoba in Spain to participate in a dialogue on peace and human rights which brought together activists from the region and more widely. The threat of coming war in Iraq hung over the assembly, which argued strongly and cogently for a “Middle East zone free of weapons of mass destruction, nuclear, chemical and biological.”
All the time, Griffiths was writing, adding to a distinguished and substantial body of work for the theatre, film and television. In 1982, Spokesman published Sons and Lovers, his sparkling screenplay for the BBC’s memorable adaptation of Lawrence’s coalfield novel. Twenty years on, in 2002, prior to Cordoba, we commenced publishing in The Spokesman an occasional series of Griffiths’s texts. The first was Camel Station, a short play with a very good joke, set in Iraq’s Northern No-Fly Zone (Spokesman 75).
In 2005, at Ken Coates’s instigation, Spokesman published Griffiths’s full-length screenplay about Thomas Paine, These Are The Times. Kurt Vonnegut loved it so much he declared that he wished he had written it, and requested dozens of copies to send to friends in Hollywood, some of whom did indeed promise to try to get the film made. Subsequently the work was adapted for the stage, under the title A New World, and premiered at The Globe in London to wide acclaim in 2009.
Michael Billington, The Guardian’s erstwhile and humane theatre critic, remarked that “Trevor Griffiths is the godfather of British political theatre” and rightly described him as “our foremost socialist dramatist”. Billington went on to urge a new production of Occupations, Griffiths’s first full-length play for the stage about factory occupations in northern Italy in 1920, which received its first production at the Stables Theatre in Manchester in 1970. Now that would be a timely revival.
Now, we are pleased to fulfil a longstanding commitment made by Ken Coates to Trevor Griffiths that The Spokesman would publish March Time, his screenplay homage to the Labour Movement down the ages. Originally written in 1987, in the midst of Thatcherism, and revised in 1994 as Tony Blair stole the Labour Party, March Time has been revised again for publication here. As neo-liberal destruction of public provision reaches deep into education and the health service, and ‘austerity’ is seen to be not for the rich but only for the rest of us, it couldn’t be more fitting.”
Bill Brand – the screenplays. “The most remarkable serial ever seen on the box” (Sunday Times). This latest volume published by Spokesman Books contains all eleven episodes of Trevor Griffiths’s celebrated 1976 Thames Television series Bill Brand, which was the fictional account of a young left-wing Labour MP entering Parliament for the first time at a time of great political and industrial unrest. The series starred Jack Shepherd as Bill Brand, Arthur Lowe, Alan Badel, Cherie Lunghi and many other distinguished actors. It has never been shown again, nor is it at present commercially available on dvd. This book is therefore a unique record of a unique television event. It is available from www.spokesmanbooks.com.
Spokesman Books are planning to publish more of Trevor Griffiths’s screenplays in the future, including
COMRADES – his first-draft screenplay of the Oscar-winning film REDS about John Reed, Louise Bryant and the Russian Revolution;
MARCH TIME – an unproduced screenplay covering the years from the Jarrow March to Thatcher.
Published by Spokesman Books in 2007 (www.spokesmanbooks.com)
The first volume of a new edition of Trevor Griffiths’ collected theatre plays, containing The Wages of Thin, Occupations, Sam Sam, Apricots, Thermidor, The Party, Comedians, The Cherry Orchard.
Published by Spokesman Books in 2007. (www.spokesmanbooks.com)
This second volume of collected works for the theatre contains plays written from 1981 onwards: Oi for England, Real Dreams, Piano, The Gulf Between Us, Thatcher’s Children, Who Shall Be Happy…? and Camel Station.
published by Spokesman Books in 2005 (www.spokesmanbooks.com)
“I am reading Griffiths with envy and admiration. These Are The Times reads like the greatest of novels and is the most thrilling read I’ve had in years. It is a gorgeous pageant of American idealism, of which we have been starved during the latter half of my lifetime.” Kurt Vonnegut
“Politically searching, dramatically compelling and superbly entertaining, These Are The Times does more to retrieve one of England’s most magnificent radicals than anything that has ever been done before.” Terry Eagleton
“These Are The Times is magnificent, huge, human, an education in history, of course, but also in the human spirit.” Tom Stoppard
“A really major piece of writing which adds new meaning to the notion of the screenplay. It is a classic text, which carries great concerns forward with great humanity.” Troy Kennedy Martin
“see also Radio
Unproduced screenplay about W B Yeats and Maud Gonne. Published in the Spokesman Journal no. 98 in 2008. (www.spokesmanbooks.com)
see also Television and Direction
First published by Faber & Faber in 1994
Thatcher’s Children is now published by Spokesman Books in Trevor Griffiths: Theatre Plays Two, in 2007 (www.spokesmanbooks.com)
Hope in the Year Two – see also Television; Thatcher’s Children – see also Theatre
Full title: The Gulf Between Us, or, The Truth and Other Fictions. Published by Spokesman Books in Trevor Griffiths: Theatre Plays Two (2007) (www.spokesmanbooks.com)
First published by Faber & Faber in 1992